An Interview with Edie Fake
I recently posted an interview with Edie Fake (author of Gaylord Phoenix, pub. Secret Acres) on BadatSports. I’ve included the introduction below, but it’s great conversation so in case you want to check it all out…go here!
Edie Fake’s first graphic novel, Gaylord Phoenix (Secret Acres) was eight years in the making. An erotic and sometimes violent psychedelic spirit quest, the book compiles the adventures of its central birdman who travels far and wide in search of self-knowledge and passion. It’s a two-colored interior, with a rich vocabulary of symbols and innuendo, from magical dwarfs to crystal splinters and tubular genitalia. The drawings are lush and decadent yet they resonate with a kind of personal touch too. When I put the book down I felt like I had been left with a piece of cartoon chalk—what will no doubt come in handy at such times in the future when I find something blocking my path (you know, because cartoon chalk draws doors through walls). This book is liberating and joyous and why not—for shouldn’t life be the same? Pain and vulnerability can lead to insight.
Despite the epic proportions of this one body of work (and here is a great interview about GP specifically) Fake has worked on other projects as well, participating in performances, working as a tattoo artist and developing an alternative history of Chicago. I wanted to ask Fake more about his work and how it flows together in an effort, I suppose, to explore his underlying and hybrid ideology. In some ways I surprised myself—I asked a lot of questions about tattoos. I’m curious about what tattoos mean in our culture, (perhaps especially because I’m spending the month in Providence and tattoos are really and truly all over the place). How are tattoos different from drawings? And where do those paths cross. Edie Fake seemed like a good person to talk to.