New interview with Cartune Xprez

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I had a great conversation with Peter Burr from Cartune Xprez–a phenomenal compilation of independent and multifarious cartoon artists. It comes out twice a year and I *love* it. Here’s a link to the interview and always, I posted the opening intro below as well.

I met Peter Burr and Christopher Doulgeris for the first time about five or six years ago. “Hooliganship,” the name of their performative duo, was on tour with the second issue of a DVD cartoon compilation called Cartune Xprez. They came to do a screening/performance at the old Green Lantern Gallery. Cartune Xprez is Peter Burr’s curated compilation of independent, short animation—sometimes I think of it as an animated equivalent of an intensely gratifying literary magazine, or portable gallery exhibition. The biannual DVD is an event of imagination that colludes and clashes on the brink of psychedelic experience, precisely because it celebrates the idiosyncratic visions of its participants. As is often the case with non-commercial media, my appreciation for the project serves as both a reminder and a relief, reminding me that the larger behemoth of mainstream culture is not the onlyworld of creative insight. When Hooliganship arrived, we set up couches for audience members while Peter and Christopher inflated neon crystals that glowed in the dark. We couldn’t plug them all in, because we kept blowing the fuse. We projected the video on the street-side window, so pedestrians outside would have another experience in reverse. Christopher and Peter both wore tight fitting neon yellow sweat suits and when the screening began, they rose—aside from the crystals, the room was otherwise dark—playing instruments (a clarinet and a guitar). Meantime, these very idiosyncratic cartoons by various artists screened in the background. It’s probably one of my favorite experiences from running a space. The habitat of the cartoon-world had been built out into our literal experience, lending additional form to the 2-d and sometimes crude projected imagery. As I said, that was years ago—at that time they were traveling with their first 2006 video. Since then Cartune Xprez has released two additional DVDs and, having recently seen the 2011 edition, I wanted to ask Peter Burr some questions about how he curates, what he loves about the project and how he situates his practice in relation to the more commercial television outlets we are accustomed to.

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