Talking shop about Psycho Dream Factory

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Sarah Terez-Rosenblum interviewed me about my show, Happiness Machines—at Roxaboxen Exhibitions, and my new book, Psycho Dream Factory. It was awesome and fun and I posted the introduction below, but you can read our conversation by going here. (I like to think of this as one more reason for you to come out to our music show tomorrow night at Roxaboxen).

Caroline Picard Educates Our Town

By Sarah Terez-Rosenblum on June 21, 2011 10:17 AM

Here are things I pretend to understand:
Numbers longer than four digits
The word ‘hegemony’
The difference between broasting and roasting
Twitter direct messaging
Why the Beatles are important
The problem with free radicals
How to tell time

I got to thinking about these items while reading Psycho Dream Factory, Chicago writer/artist and Green Lantern Press founder Caroline Picard’s gorgeous new book. In the introduction, Lily Robert-Foley writes that the stories collected within the volume deal with reappropriated images, with copies that destroy the original; that Picard’s work makes “an explosion between the point of origin and the point of arrival, thereby opening a new space.”

I’m pretty sure Robert-Foley believes CDF postmodern. Here are my clues:
-this word pairing: copy/original
-gathering tension between my shoulder blades

I kind of assume everyone understands everything better than I mostly because whenever I call my mother to ask how to hard-boil eggs she either says “Same way as last time,” or “How do you not know how to do this yet?” But just in case you’re similarly confused about post-modernism, when I spoke with the seriously brilliant Picard about her celebrity-sprinkled book and the show she’s concocted in conjunction, I swallowed my pride (also my gum, but that’s another story) and asked her to explain post-modernism. Turns out even those who function within post-modernism are more concerned with making art than labeling it. As it should be. Now if only I can find someone to teach me how to pronounce San Luis Obispo.

go here to read more.

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