Dogs in a Museum

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Owners Steve and Tannis with dog Buddy at "Thunderbird" by Mark Sponenburgh, 1945/1950. Image taken on March 13, 2013.

Owners Steve and Tannis with dog Buddy at “Thunderbird” by Mark Sponenburgh, 1945/1950. Image taken on March 13, 2013.

Of the many adventures that I had at Open Engagement, I enjoyed an evening at the Portland Art Museum. Their annual program, “Shine A Light,” came together in conjunction with PSU’s Social Practice MFA, in an effort to “ask visitors to reconsider what is possible in a museum.” It featured a number of MFA artist’s works including a reenactment of a lost Grateful Dead concert (“Turn on Your Lovelight” by Travis Neel), a dental trailer offering free dental work to visitors (“Dentistry at the Museum” by Zachary Gough), a booth in the basement where viewers were encouraged to record stories of objectified objects and being objectified (“Objectification Stories” by Erica Thomas and Heather Donahue), an invitation to commune with dead artists via mediums from Portland’s own Psychic Siamese Terror through select works of art (“The Dead Artists Salon” by Alysha Shaw) and much much more. (full program here) At every turn through the museum that night, you could feel the institutional context in a concentrated experiment in flexibility. It felt like a kind of earnest game, one in which visitors were simultaneously challenged to revise and open up their own expectations. It was a glorious mayhem. Outside, between the museum’s two buildings, people of all ages danced expressively. A beer truck stood across from an artisanal pizza tent, as the torches to PAM’s second entrance (what was a Masonic temple in a former life) bloomed brightly in the coming dusk. Artisanal popcorn was also for sale. In the midst of this, I ran into Dillon de Give, another Social Practice MFA presenting work. His project, 4-6 Dogs in the Museum furthers the desire to flex the museum structure, except in de Give’s case, he tried to apply that flexibility to non-humans. (read more)

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