Comics in Chi-town according to Edie Fake

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There was a great piece a couple of weeks ago about what the Chicago Comic scene was like, according to Edie Fake. I thought I’d link to it below. #onemorereasonChicago’srad

Slow Down Fast Food Friends

It’s important to say one thing straight off the bat: Chicago loves comics like no other place I’ve ever been. It’s town is full of oddballs and oddities, a fermented blend of cheap rent, cheap beer, bad weather and good house shows…and somehow the result is a veritable hotbed of activity in all directions.

Let’s start this report on my block. Down four flights of stairs from my apartment you’ll find Anya Davidson working furiously on her next graphic onslaught in a studio surrounded by many animals and no windows. She’s made these super lush silkscreened comics for years, usually in itty-bitty editions of five or so, but now she’s also got some killer pages in the Kramer’s E. that just came out, so get on it.

When we make it out the door of the building and just head down the block, we’ll be at Robin Hustle’s house. Hustle not only draws perverse zine-comic hybrids about hair, milk and sex economies, she’s also spearheaded the reawakening of a Chicago punk free paper, to be known henceforth as The Land Line. This is the reincarnated version of the monthly paper called The Skeleton News that ran itself fabulously ragged for about two years while I was outta town. The Land Line is going to be quarterly and also free, content-rich and dirty, just like good soil. The first issue debuts right around the new year. There’s a million folks meeting, working and partying to make it happen…on the visual end, Grant Reynolds notably took on the helm of “Comics Editor” and recent transplants Mika Lee and Otto Splotch are throwing down some real brain bender drawings for it.

read the rest of the article by going here.

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